Through the mainstream success of several grunge bands, the word mosh entered the popular North American vocabulary and the dance spread to many other music genres. The Seattle-based grunge movement was among the many styles of music that directly evolved from hardcore. Crossover into mainstream genres īy the end of the 1980s, the initial wave of American hardcore punk had waned and split into other subgenres. Fear's 1981 musical performance on Saturday Night Live also helped to expose moshing to a much wider audience. Jerry Roach's club, the Cuckoo's Nest in Costa Mesa, was known as the "birthplace of slam dancing". At the time, California hardcore punk bands such as Black Flag and Fear were becoming popular in Orange County. Dave Wood, an avid concert-goer and roadie of The Weirdos, popularized moshing at a show at The Roxy in 1977. Examples of this early moshing can be seen in the documentaries Another State of Mind, Urban Struggle, The Decline of Western Civilization, and American Hardcore, as well as footage from the shows of the era. The first dance identifiable as moshing may have originated in Orange County, California, during the first wave of American hardcore. Through the mainstream success of bands like Anthrax, Stormtroopers of Death, and multiple thrash metal bands in the late 1980s, the term came into the popular vernacular.
Scott Ian and Charlie Benante of Anthrax and Stormtroopers of Death have both been credited with the term originating from Vinnie Stigma of the New York hardcore band Agnostic Front. By the time thrash metal band Anthrax used the term in their song " Caught in a Mosh", the word was already a mainstay of hardcore and thrash scenes. īy the mid-1980s, the term was appearing in print with its current spelling. Due to his Jamaican-accented pronunciation of the word, fans heard this as mosh instead. To "mash it up" was to go wild with the frenzy of the music. of the band Bad Brains, regarded as a band that "put moshing on the map," used the term mash in lyrics and in concert stage banter to both incite and to describe the aggressive and often violent dancing of the scene. Early on, the dance was frequently spelled mash in fanzines and record liner notes, but pronounced mosh, as in the 1982 song "Total Mash" by the D.C.-based hardcore band Scream. The term mosh came into use in the early 1980s American hardcore scene in Washington, D.C. Injuries and even deaths have been reported in the crush of mosh pits. While moshing is seen as a form of positive fan feedback or expression of enjoyment, it has also drawn criticism over dangerous excesses in its violence. Dancing can be done alone as well as in groups. Variations of moshing exist, including " pogoing", "circle pits", and "wall of death". Since then, moshing has occasionally been performed to energetic music within a wide variety of genres, including alternative rock, electronic dance music and hip hop, while remaining a staple in heavy metal shows. Through the 1980s it spread to other branches of punk rock as well as grunge and thrash metal, which exposed it to the mainstream. The dance style originated in the hardcore punk scenes of California and Washington, D.C., around 1980.
#KOI FISH MOSH PIT GIF FULL#
It is intended to be energetic and full of body contact. Moshing usually happens in the center of the crowd, generally closer to the stage, in an area called the " mosh pit". Moshing (also known as slam dancing or simply slamming) is an extreme style of dancing in which participants push or slam into each other, typically performed to "aggressive" live music such as heavy metal and punk rock. Audience members moshing to American thrash metal band Toxic HolocaustĮarly 1980s, California and Washington, D.C., United States
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